As you know, the influence of Antiquity on the history of Art is difficult to overestimate. Many architectural monuments were inspired by Antique samples (see Fig. 1.). For example, the painting style of the Loggias of Raphael in the Vatican (as well as their copy adorning the Hermitage Museum in St. Petersburg, which was made in the 18>th century by the order of the Empress Catherine II) is based on the bizarre, grotesque ornament of the Golden House of Nero, discovered by chance at the end of the 15>th century. The aesthetics of “The Belvedere Torso”, found in Rome in the 15>th century, had a great influence on the work of such prominent artists as Michelangelo and Rubens.1 Whereas James Stewart’s and Nicholas Revett’s study “The Antiquities of Athens” largely determined the direction of the development of the British architecture in the late 18>th century.
In general, interest in the ideals of the past has had a special attraction and charm. So it is no coincidence that many authors has turned to this topic, starting with Richard Wagner, who developed Germanic mythology in his cycle of four epic operas called “Ring of the Nibelungen”, and ending with “The Lord of the Rings” by J.R.R. Tolkien creating his own, unique mythology. Not to mention Woody Allen’s movie “Midnight in Paris” emphasizing the fact that every generation finds the past much more attractive than the present.
As a matter of fact, there are a lot of plaster cast collections around the World aiming to develop the aesthetic taste of the audience and awaken people’s interest in the works of the outstanding masters of the past, including the Cité de l’Architecture et du Patrimoine located at the Palais de Chaillot in Paris, the Cast Gallery of the Academy of Fine Arts Museum in St. Petersburg, the plaster cast reproductions located at the Pushkin Museum, etc.